Ulla Pederson, Displacements
30 x 60 cm (a composition of two pieces (30x20cm and 30x 40 cm))
Acrylic on alu-Dimond
Ulla Pedersen is a Danish abstract artist. Her work is a minimal and concrete exploration of color, materiality, form and balance. She works with acrylic paint on many different surfaces, including canvas, wood, paper and aluminum. Her process is reductive. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, hard-edged shapes on solid-colored fields.
She is inspired by the potential she sees in formal aesthetic elements. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, angle and pattern are blended, shifted and layered.
30 x 60 cm (a composition of two pieces (30x20cm and 30x 40 cm))
Acrylic on alu-Dimond
Ulla Pedersen is a Danish abstract artist. Her work is a minimal and concrete exploration of color, materiality, form and balance. She works with acrylic paint on many different surfaces, including canvas, wood, paper and aluminum. Her process is reductive. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, hard-edged shapes on solid-colored fields.
She is inspired by the potential she sees in formal aesthetic elements. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, angle and pattern are blended, shifted and layered.
30 x 60 cm (a composition of two pieces (30x20cm and 30x 40 cm))
Acrylic on alu-Dimond
Ulla Pedersen is a Danish abstract artist. Her work is a minimal and concrete exploration of color, materiality, form and balance. She works with acrylic paint on many different surfaces, including canvas, wood, paper and aluminum. Her process is reductive. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, hard-edged shapes on solid-colored fields.
She is inspired by the potential she sees in formal aesthetic elements. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, angle and pattern are blended, shifted and layered.